THE usual dramas and comedies will be joined by a historical crime thriller, a horror anthology, and different shades of romance this year at the Metro Manila FilmTHE usual dramas and comedies will be joined by a historical crime thriller, a horror anthology, and different shades of romance this year at the Metro Manila Film

A guide to the Metro Manila Film Festival entries

THE usual dramas and comedies will be joined by a historical crime thriller, a horror anthology, and different shades of romance this year at the Metro Manila Film Festival (MMFF). Organized by the Metropolitan Manila Development Authority (MMDA), it runs from Dec. 25 to early January 2026.

The film festival celebrates its 51st year with the theme of “A New Era for Philippine Cinema.” Its Parade of Stars was held for the first time ever in Makati last week.

The festival’s Gabi ng Parangal or awards ceremony will be held on Dec. 27.

Established in 1975, the Metro Manila Film Festival aims to promote and enhance Philippine cinema. During its run, no non-festival film, local or foreign, can be screened in regular theaters nationwide.

Here are the eight official entries to the MMFF 2025 in alphabetical order:

BAR BOYS: AFTER SCHOOL
(produced by 901 Studios)
Directed by Kip Oebanda

This is a sequel to the 2017 comedy-drama Bar Boys, set 10 years after that film where a group of friends pursued their law degrees. Bar Boys: After School charts their lives as they discover the price of following their aspirations. Carlo Aquino, Rocco Nacino, Enzo Pineda, and Kean Cipriano reprise their roles in the first film.

MTRCB Rating: PG

CALL ME MOTHER
(produced by ABS-CBN Studios, The IdeaFirst Company, and Viva Films)
Directed by Jun Robles Lana

This is a comedy-drama that follows a queer single mother who plans to formally adopt her son. The plot unfolds as the appearance of the boy’s biological mother complicates the process. The film stars Vice Ganda and Nadine Lustre, co-starring for the first time since 2015.

MTRCB Rating: PG

I’MPERFECT
(produced by Nathan Studios)
Directed by Sigrid Andrea Bernardo

This romance tells the love story between Jiro and Jessica, two adults with Down syndrome. It stars Earl Jonathan Amaba and Anne Krystel Daphne Go, marking the first film in Philippine history to have leads with Down syndrome themselves.

MTRCB Rating: G

LOVE YOU SO BAD
(produced by ABS-CBN Film Productions, GMA Pictures, and Regal Entertainment)
Directed by Mae Cruz-Alviar

This romance tells the story of Savannah, a young girl who finds herself torn between two young men: bad boy LA and achiever Vic. She must decide which of the two she will dare to be with. The film stars Will Ashley, Dustin Yu, and Bianca De Vera.

MTRCB Rating: PG

MANILA’S FINEST
(produced by Cignal TV and MQuest Ventures)
Directed by Raymond Red

This crime thriller, set in 1969, follows a group of Manila police officers who strive to uphold their principles. It centers on experienced Capt. Homer Magtibay and his partner in the profession, 1st Lt. Billy Ojeda, as they navigate the power structures in the police system. It stars Piolo Pascual, Enrique Gil, Romnick Sarmenta, Ariel Rivera, and Joey Marquez.

MTRCB Rating: PG

REKONEK
(produced by Reality MM Studios)
Directed by Jade Castro

This family drama presents the parallel stories of six different families that must cope with a global internet outage 10 days before Christmas. The film’s sweeping cast includes Gerald Anderson, Bela Padilla, Andrea Brillantes, Charlie Dizon, Zoren Legaspi, Carmina Villaroel, Cassy Legaspi, Mavy Legaspi, and Gloria Diaz.

MTRCB Rating: PG

SHAKE, RATTLE, & ROLL: EVIL ORIGINS
(produced by Regal Entertainment)
Directed by Shugo Praico, Joey de Guzman, Ian Loreños

This is the 17th installment in the Shake, Rattle, & Roll horror anthology film series. Its dark themes traverse three timelines: Spanish colonial 1775, present-day 2025, and a post-apocalyptic Philippines in 2050. The film stars Carla Abellana, Janice de Belen, Francine Diaz, Seth Fedelin, Fyang Smith, JM Ibarra, Richard Gutierrez, and Ivana Alawi.

MTRCB Rating: R-13

UNMARRY
(produced by Quantum Films and Cineko Films)
Directed by Jeffrey Jeturian

This drama follows Celine and Ivan, a couple who separately process the dissolution of their marriage through annulment. It is loosely based on real-life annulment cases in the Philippines. The film stars Angelica Panganiban and Zanjoe Marudo.

MTRCB Rating: PG

— Brontë H. Lacsamana

Market Opportunity
USUAL Logo
USUAL Price(USUAL)
$0.02441
$0.02441$0.02441
-1.01%
USD
USUAL (USUAL) Live Price Chart
Disclaimer: The articles reposted on this site are sourced from public platforms and are provided for informational purposes only. They do not necessarily reflect the views of MEXC. All rights remain with the original authors. If you believe any content infringes on third-party rights, please contact service@support.mexc.com for removal. MEXC makes no guarantees regarding the accuracy, completeness, or timeliness of the content and is not responsible for any actions taken based on the information provided. The content does not constitute financial, legal, or other professional advice, nor should it be considered a recommendation or endorsement by MEXC.

You May Also Like

MFS Releases Closed-End Fund Income Distribution Sources for Certain Funds

MFS Releases Closed-End Fund Income Distribution Sources for Certain Funds

BOSTON–(BUSINESS WIRE)–MFS Investment Management® (MFS®) released today the distribution income sources for five of its closed-end funds for December 2025: MFS®
Share
AI Journal2025/12/23 05:45
BlackRock boosts AI and US equity exposure in $185 billion models

BlackRock boosts AI and US equity exposure in $185 billion models

The post BlackRock boosts AI and US equity exposure in $185 billion models appeared on BitcoinEthereumNews.com. BlackRock is steering $185 billion worth of model portfolios deeper into US stocks and artificial intelligence. The decision came this week as the asset manager adjusted its entire model suite, increasing its equity allocation and dumping exposure to international developed markets. The firm now sits 2% overweight on stocks, after money moved between several of its biggest exchange-traded funds. This wasn’t a slow shuffle. Billions flowed across multiple ETFs on Tuesday as BlackRock executed the realignment. The iShares S&P 100 ETF (OEF) alone brought in $3.4 billion, the largest single-day haul in its history. The iShares Core S&P 500 ETF (IVV) collected $2.3 billion, while the iShares US Equity Factor Rotation Active ETF (DYNF) added nearly $2 billion. The rebalancing triggered swift inflows and outflows that realigned investor exposure on the back of performance data and macroeconomic outlooks. BlackRock raises equities on strong US earnings The model updates come as BlackRock backs the rally in American stocks, fueled by strong earnings and optimism around rate cuts. In an investment letter obtained by Bloomberg, the firm said US companies have delivered 11% earnings growth since the third quarter of 2024. Meanwhile, earnings across other developed markets barely touched 2%. That gap helped push the decision to drop international holdings in favor of American ones. Michael Gates, lead portfolio manager for BlackRock’s Target Allocation ETF model portfolio suite, said the US market is the only one showing consistency in sales growth, profit delivery, and revisions in analyst forecasts. “The US equity market continues to stand alone in terms of earnings delivery, sales growth and sustainable trends in analyst estimates and revisions,” Michael wrote. He added that non-US developed markets lagged far behind, especially when it came to sales. This week’s changes reflect that position. The move was made ahead of the Federal…
Share
BitcoinEthereumNews2025/09/18 01:44
Foreigner’s Lou Gramm Revisits The Band’s Classic ‘4’ Album, Now Reissued

Foreigner’s Lou Gramm Revisits The Band’s Classic ‘4’ Album, Now Reissued

The post Foreigner’s Lou Gramm Revisits The Band’s Classic ‘4’ Album, Now Reissued appeared on BitcoinEthereumNews.com. American-based rock band Foreigner performs onstage at the Rosemont Horizon, Rosemont, Illinois, November 8, 1981. Pictured are, from left, Mick Jones, on guitar, and vocalist Lou Gramm. (Photo by Paul Natkin/Getty Images) Getty Images Singer Lou Gramm has a vivid memory of recording the ballad “Waiting for a Girl Like You” at New York City’s Electric Lady Studio for his band Foreigner more than 40 years ago. Gramm was adding his vocals for the track in the control room on the other side of the glass when he noticed a beautiful woman walking through the door. “She sits on the sofa in front of the board,” he says. “She looked at me while I was singing. And every now and then, she had a little smile on her face. I’m not sure what that was, but it was driving me crazy. “And at the end of the song, when I’m singing the ad-libs and stuff like that, she gets up,” he continues. “She gives me a little smile and walks out of the room. And when the song ended, I would look up every now and then to see where Mick [Jones] and Mutt [Lange] were, and they were pushing buttons and turning knobs. They were not aware that she was even in the room. So when the song ended, I said, ‘Guys, who was that woman who walked in? She was beautiful.’ And they looked at each other, and they went, ‘What are you talking about? We didn’t see anything.’ But you know what? I think they put her up to it. Doesn’t that sound more like them?” “Waiting for a Girl Like You” became a massive hit in 1981 for Foreigner off their album 4, which peaked at number one on the Billboard chart for 10 weeks and…
Share
BitcoinEthereumNews2025/09/18 01:26